Mabel. A name that's easy to remember and a band that's hard to forget. Perhaps it is their unmatched knack for writing genre-bending pop tunes that makes them so memorable. Or maybe it's their cellist who alternates between heartbreaking strains and distorted, eye-popping riffs that even the most intense guitarists envy. Perhaps it is their ability to work seven different instruments between the four of them that sets them apart from the rest. Any way you choose, this band is undeniably good, and they'll be reaching major buzz status very very soon.
Mabel immediately started turning heads upon their fall 2001 formation, after which they climbed to the forefront of the Madison rock scene. Once the band recorded their first LP, What You Have To, they took their addictive sound to the road and had no problem picking up the fans. Mabel has packed prominent indie venues such as the 49'er in Omaha, Mad Planet in Milwaukee, and most recently, Manhattan-based Piano's.
Presently inhabiting Chicago, Mabel has been gaining fame around the city since their 2003 move, and has only gotten hotter since releasing their critically acclaimed EP, Epidemic. When pressed to pin down their sound, Mabel can very loosely be described as a high-speed collision between Rasputina, Rainer Maria and Muse. The band showcases a formidable drummer and bassist who magnificently hold their own while supporting edgy and winding melodies, compliments of any combination of cello, guitar, synth, piano, and fervent female vocals. Did we mention there are only four members? Seeing this all take place at once, and hearing the kind of music created as a result, is a live experience one cannot begin to describe -- you simply MUST go see it for yourself.
In short, Mabel is unique. Mabel is accessible. Mabel writes pop tunes. Mabel writes works of art-rock. Mabel doesn't limit themselves, because Mabel takes risks, and this band is one of the best risks anybody can take on music.
For more information, visit their website: http://www.mabeltheband.com
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