photo: courtesy of Marriott Lincolnshire
Even if you have other productions of this popular Stephen Sondheim musical under your belt, a trip to the north suburbs will move you to both laughter and tears. Showcasing many of Chicago's professional artists, this familiar piece often masquerades as a brand new show in Marriott's in-the-round version.
If by some theatrical mishap you aren't familiar with "Into the Woods," here's the quick rundown: A collection of familiar characters from folk literature are cleverly cast in a two-act musical about growth and self-discovery. Be warned, however, that while the first act is a lighthearted interweaving of these popular children's stories, the second act is often sad and violent. Little Red Riding Hood may make a showing, but this is not a musical for young children.
Most fairy tales present right and wrong as black and white; here they are depicted in shades of gray. Witches and giants tell the truth, while the nicer people tell lies and good characters die. However, by banding together when things look blackest, Sondheim and playwright James Lapine remind us that "no one is alone."
Everyone in this ensemble production demonstrates the charm and talent required of this challenging piece. Abby Mueller is wonderfully sensitive as Cinderella wishing for her own happily ever after. The strength both she and Michael Aaron Lindner's Baker demonstrate in the second act is truly moving. Brian Herriott and Bernie Yvon as the two princes have some wonderfully comic musical moments in "Agony," as each tries to out-impress the other with tales of princesses. As Jack's Mother, Paula Scrofano is delightfully feisty, often recalling the late Martha Ray in her prime. But it is Brandy McClendon, a comedic newcomer to the Marriott stage, who almost stole this production. Her tough, no-nonsense Little Red Riding Hood, with her nasal voice, bowlegged skipping and ability to stare down every other character, consistently sent the audience into gales of laughter.
As always, set designer Tom Ryan, light designer Diane Ferry Williams and sound designer Cecil Averett have created a marvelous environment that includes moving trees, magic spells and the truly convincing presence of a lady giant, though you never really see her. Nancy Missimi's costumes are imaginative and colorful, recalling images from various children's books.
There's really nothing bad that can be said of this timeless masterpiece of fantasy, which, like the folk tales from which it draws, provides audiences with a moral to aid in their own happily ever after.
Marriott's "Into the Woods" runs through Nov. 19 at Marriott Lincolnshire Theatre, 10 Marriott Dr., Lincolnshire. Shows 1 & 8 p.m. Wednesday; 8 p.m. Thursday-Friday; 5 & 8:30 p.m. Saturday; 1 & 5 p.m. Sunday. Tickets are $42; call (847) 634-0200.
